And then, in the Melibea/Libenskof duet something happened. Suddenly, Marina Viotti and Lawrence Brownlee turned a routine production into something very special. We saw two people who really engaged with each other, striking sparks off of one another. From that…
“The interest redoubles and turns into jubilation by discovering the qualitative steps that seem to have made Marina Viotti: we feared that for the role of Arsace the voice would be too clear and perhaps not vigorous enough, because even…
“It wasn’t a recital in the classical sense. It was a joyous mixture of different genres, from the classical art song, to opernaries, to the chanson, which the young singer presented with charm and great conviction.What made this rather colorful…
Recently I have been asking myself : should I do more singing competitions? 1) The YES team : you get to try out some arias —> always good before auditioning them for a theater you get to see what your…
Yesterday was an evening of many Premieres. Premiere in a big and famous theater : The Gran Teatre del Liceu (will my voice fill this hall? pass the orchestra?). Premiere as a Melibea (a quite tricky role, going very law…
“It is Marina Viotti, rising mezzo-soprano,who truly shines at this Première as a “bella italiana”, real revelation of this evening ! With her sparkling personality, her voices with captivating modulations and a strand of sex-appeal, she manages not only to…
Mezzo soprano. Marina was born in Switzerland, her parents both being musicians, and grew up in France. Curious by nature, she did not only study classical music (flute), but also explored jazz, metal or chanson.
Marina is represented by Hilbert Artist Management (krause@hilbert.de)